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Showing posts with label Jackie Chan. Show all posts
Showing posts with label Jackie Chan. Show all posts

Wednesday, October 09, 2013

JACKIE CHAN SNEAK PEEKS HIS REALITY MOVIE.

Jackie Chan's Stunt-Filled Family Action Adventure CHINESE ZODIAC Opens October 18 At AMC Theatres®

 Jackie Chan broke two Guinness World Records® for "Most Stunts Performed by a Living Actor" and "Most Credits in One Movie" From PR Newswire Jackie Chan's stunt-filled family action adventure CHINESE ZODIAC comes to guests at AMC Theatres in the United States and Canada beginning October 18.
Filmed on location across five continents and seven countries, the movie features some of Chan's wildest and most breathtaking stunts ever – including a hillside chase with our hero in a skate suit and an aerial landing on top of an active volcano.
During the making of the film, Chan broke two Guinness World Records for "Most Stunts Performed by a Living Actor" and "Most Credits in One Movie" (15), which includes Actor, Director, Producer, Fight Choreographer and Composer. One of the highest-grossing Chinese films of all time, CHINESE ZODIAC has earned over $160 million worldwide.
JC (Jackie Chan) leads a team of treasure hunters (Kwon Sang-Woo, Liao Fan and Zhang Lanxin) who travel the world in search of ancient relics. When JC is given his toughest challenge yet, acquiring 12 mystical artifacts that comprise the animals of the Chinese Zodiac, he enlists the help of archeologist Coco (Yao Xintong) and French heiress Katherine (Laure Weissbecker).
 Together, JC and his group must locate the priceless relics before they fall into the wrong hands and are lost forever. Loaded with Jackie Chan's trademark brand of action and humor, Chinese Zodiac features the martial arts comedy icon performing his own death -- and gravity -- defying stunts.
Shot on location in China, France, Australia, Latvia, Hong Kong, Taiwan and the South Pacific, the film features an international cast that includes leading actors and actresses from China, France, Korea and the United States. The film is also one of Chan's most ambitious -- one of the major fight scenes in the movie cost more than $10 million.


Saturday, August 25, 2007



RUSH HOUR 3

First Contact: Lt. Commander
Final Score: Lieutenant

The best moment in the film is when Inspector John (1st name rarely used in the series) Lee and Detective James Carter both use their famous "You go..I go" routine to punch out a sadistic French cop (Roman Polanski) for...touching underage girls or violating their proctological civil rights? Either way, it didn't matter as the duo dances off into the distance- about as happy all this crap is over,as we are?

Laking most of the comedy and even tension of the first two films (2 in particular,) the comfort levels between Chan and Tucker pretty much saves the film. The plot for the first real time IS just an excuse for the action.

Chan's stunts work well, but in 3 he seems to more running from adversaries (including Ziyi Zhang's "mom" (?) as an aging, triad ninja bitch) and lucking out in dispatching them, than full out fighting- as say in the Shanghai Noon/Knights movies.

Also, the protecting of an adoptive brother gone bad, just doesn't hold the same weight as the excellent John Lone trying to launder $500 billion & itching to send Lee to spiritually reunite with his dad,that he killed.

Tucker, while still funny as hell- is wearing out his welcome. His humor is quite offensive at times. Still, he gets gets off a good Who's on First joke piece & some pro-American jokes with scene stealer, Yvan Attal as a local cabbie.

Still, the object of affection in this one a lovely, but bald French flash-dancer (Noemie Lenoir) lacks that weird chemistry found with Elizabeth Pena (Are they or Aren't they not- doing it) or the great,but arrogantly evil Ziyi Zhang (They both like each other, but are divided by good and evil-a comical forerunner to infamous Live Free or Die Hard mano-a-mujer battle.)

In addition, the presence of the sultry Roselyn Sanchez, working her dangerous charms over a game Chan is sorely missed in this flick.

Director Brett Ratner's eye is on target for this one. However, he truly lacks the detail or fun- he showed on his first two epics. Also, it would be nice if the camera didn't turn away (like it was ashamed ) when the bad guys get their "final" comeuppance.

Later.