Wednesday, November 23, 2016
Tuesday, November 22, 2016
Monday, November 21, 2016
Friday, November 18, 2016
Thursday, November 17, 2016
AMERICA DROWNS ITS SORROW OF TRUMP'S WIN,WITH FILMS.
The major motion picture industry picked up millions of unexpected customers this past weekend as Americans flocked to the box office in the wake of the U.S. Presidential election, and there is evidence the surge could last for several weeks.
According to industry reports, the overall box office was just over $157 million, significantly higher than predicted.
"America went back to the movies this weekend," said Jack MacKenzie, EVP of PSB, a leading entertainment market research firm. "It appears we collectively left work Friday or woke up Saturday and chose movies as the way to deal with whatever was on our minds. This upheaval bump could very well last throughout the important holiday season."
Nearly every movie in theaters outperformed expectations, including movies that had opened on previous weekends. "The performance of Dr. Strange and Trolls was stunning," MacKenzie said. "It suggests America held its collective breath the last week of the campaign and exhaled this weekend. It was opening weekend all over again."
According to Box Office Mojo, Trolls took in $34 million, only a 24% drop from opening weekend. Dr. Strange took in $42.9 million, a little more than half of its opening weekend performance of $84 million. Other strong performers included Hacksaw Ridge ($10.6/-30%) and The Accountant, which raked in $4.4m—down only 25% from the prior week.
Leading the opening weekend pack was Arrival, which far exceeded expectations and tracking predictions by bringing in $24 million. According to exclusive exit poll data, VeriTES data shows that more than half of Arrival's customers decided to see it same day. "Not only did nearly 33% more people make the sudden decision to escape to the movies this weekend than normally would – most of them chose to see a film about communicating with an alien species," said Jeff Neuman, President of VeriTES. "While audiences have ever expanding platforms for entertainment, movies remain the most egalitarian and immediately accessible way for social escapism, a collective change the subject narrative."
According to PSB and VeriTES analysis, the weekend performance is a repeat of prior box office performances following social upheaval. "If you go back to the economic crisis of 2009 and more recently the Brexit vote in the UK, movies have served as the nation's salve before, said MacKenzie. "Our data tells us it is happening again."
Given the historical data, combined with the continued social unrest, MacKenzie says it's likely the US box office could be in for a good run. "The studios have tent-poles and big budget moves lined up over the next six weeks. This could be a situation where 1+1 equals more than 2 and could help Hollywood end the year in positive territory," MacKenzie said.
Tuesday, November 15, 2016
Monday, November 14, 2016
Friday, November 11, 2016
Thursday, November 10, 2016
Wednesday, November 09, 2016
Tuesday, November 08, 2016
Monday, November 07, 2016
Thursday, November 03, 2016
Wednesday, November 02, 2016
Tuesday, November 01, 2016
Monday, October 31, 2016
Thursday, October 27, 2016
Wednesday, October 26, 2016
Tuesday, October 25, 2016
VIDEO GAME INDUSTRY RELEASES- BS DOCUMENTS TO BLAME SAG/AFTRA, FOR THE STRIKE.
From PR Newswire:
Video Game Companies today released copies of the Companies' and the Union's last proposals which show that the Companies matched SAG-AFTRA's requests for wages, benefits, and additional compensation before the Union called its strike. The documents also show that the Companies and the Union had reached agreement to collaboratively investigate vocal stress issues during the term of the next contract.
"These proposals exchanged across the table prove the Companies and SAG-AFTRA have largely agreed on the significant issues before us except for the label we have placed on the 'Additional Compensation,' which would be paid above and beyond our proposed 9% pay increase," said Scott J. Witlin of the law firm of Barnes & Thornburg, the chief negotiator for the Video Game Companies. "The documents also demonstrate that the Companies value performers and reached agreement with the Union on the issue of vocal stress."
Witlin reiterated that the Companies have been impressed by the research presented by SAG-AFTRA into the issue of vocal stress. The Companies attempted to address the concerns raised by the SAG-AFTRA bargaining committee during negotiations by offering performers innovative working arrangements including split sessions and multiple performer sessions, but those proposals were rejected by SAG-AFTRA leaders.
"Among their proposals, the Companies offered to split a 4-hour recording session into two, two-hour portions with the second session to be performed within five days of the first session to ease the stress on performers, but this and other offers were rejected by SAG-AFTRA. This is an area that the parties have agreed to continue to collaboratively investigate during the term of the next contract. Exploring ways to further improve working conditions is something both sides should be committed to," Witlin added.
The Video Game Companies released a chart and supporting documentation from both the Companies and SAG-AFTRA to demonstrate that the Companies' final proposal to SAG-AFTRA is almost identical to the Union's proposal.
The chart validates the Companies' position that they have substantially met SAG-AFTRA's last proposal, including the topic of workplace safety. There is nearly no difference between the Companies' final proposal and the Union's proposal. The wages, additional compensation, pension and health contributions, vocal stress, stunt coordination, and transparency proposals are almost identical as summarized below:
9 Percent Wage Hike
The Companies exceeded the Union's request for a 3% raise over each of the next three years by Companiesoffering a 9 percent up-front increase, but only if a new agreement is ratified by December 1.
Additional Compensation
In the Companies' final proposal, the Companies increased the maximum amount of Additional Compensation to match the amount of the Union's request for a 'contingent' compensation buy out of up to $950. While the Companies have held to their position that there will be no 'contingent' compensation, the Companies have proposed a schedule of "Additional Compensation" that largely matches SAG-AFTRA's last demand, including the total aggregated figure and the number of sessions necessary to earn that amount. This offer, too, must be ratified by December 1 to become effective.
Pension and Health Contributions
The Companies agreed to the Union's request for a 0.5% increase and have agreed in principal regarding which of the benefit plans the money should be directed to.
Vocal Stress Issues
After the Union rejected the Companies' proposals concerning modifying voice over sessions to mitigate any risk of vocal stress, the parties agreed on forming a joint cooperative committee to study vocal stress issues.
Stunt Coordination
The expired Interactive Media Agreement between the Companies and SAG-AFTRA already provides for a stunt coordinator to be on site for sessions that include stunts. While SAG-AFTRA made no new proposals in this area, it did seek further clarification about the use of stunt coordinators and both sides agreed to continue those discussions through the cooperative committee during the term of the new agreement.
Transparency
The Union's proposal requested additional up front information when booking performers in video games to know more information (game title name, new role or a reprise of a previous role). The Companies enhanced their proposal to agree to provide the code name of the project and whether the performer will be asked to reprise a previous role. While SAG-AFTRA contends that the video game industry is the only industry not to require an employer to reveal the name of the project on which a performer is working, SAG-AFTRA has no such requirement in Television, Theatrical Motion Pictures or Animation agreements.
Summary
Except for the label on the Companies' 'Additional Compensation' proposal, there are no significant material differences between the Companies' final proposal and the Union's last proposal. The wages, additional compensation, pension and health contributions, vocal stress, stunt coordination, and transparency proposals are almost identical.
"The Union negotiating committee's continued public positioning of workplace safety as a rationale for striking these pro-Union Companies is disingenuous and paternalistic," Witlin said. "SAG-AFTRA should allow its affected members to vote on the Companies' final proposal and determine for themselves whether the semantic difference that does exist between 'additional compensation' and 'residual' is worth the costs of a strike."
USAIN BOLT TO GET DOCU-DRAMA IN THEATERS.
In cinemas around the world on November 28, I AM BOLT will give audiences a unique portrait of the world's fastest man, Usain Bolt. With unprecedented access to the Olympic and sporting legend as he trains, travels, races and relaxes, the film also spotlights Bolt's other roles as best friend, teammate and son. I AM BOLT will be available on Digital HD and On Demand on November 29, 2016 and on DVD on December 6, 2016 from Universal Pictures Home Entertainment.
With unparalleled access to all facets of his life on and off track, audiences will see for the very first time what being Usain Bolt is really like – from his grueling training schedule, major setbacks and challenges he faces in order to achieve his dreams on the global stage to his downtime with friends and family.
Featuring archive footage from Bolt's youth, in-depth interviews with those closest to him – his parents, best friends, agent, coach and fellow athletes – and fascinating footage shot by the man himself over a legacy-defining period in his career and life, I AM BOLT offers an intimate portrayal of a globally adored icon.
Commenting on the film's forthcoming release, Bolt said: "My aim with making this film is to show people how my life really is… What I've been through to get me where I am today, the ups and the downs, and an insight into what I am thinking and feeling. I know a lot of people around the world feel like they know me already but I'm excited for everyone to see the real me in I AM BOLT."
The Triple Treble Olympic Gold medalist will mark his silver screen debut on November 28 by attending the film's world premiere in London's Leicester Square that night while international cinema audiences will be treated to an exclusive interview with Bolt following the main feature presentation.
Filmed on location at the Beijing World Championships, Rio Olympics, London Olympics and in Germany and Jamaica, I AM BOLT is produced by Fulwell 73, the creators of acclaimed documentaries Class of '92 and In the Hands of the Gods, in association with Doyen Global. Co-directed by Gabe Turner and Ben Turner, I AM BOLTis produced by Leo Pearlman, Executive Produced by Simon Oliveira, Matthew Kay, Ricky Simms and Nugent Walker and distributed internationally by Universal Pictures Home Entertainment Content Group.
BONUS FEATURES ON DVD AND DIGITAL HD
- The Making of I Am Bolt
FILMMAKERS:Cast: Usain Bolt, Pelé, Chronixx, Neymar, Serene Williams, Lord Sebastian Coe, Ziggy Marley, Yohan Blake, Asafa Powell, Michael Johnson, Donovan Bailey
Directed By: Benjamin Turner
Produced By: Leo Pearlman
Executive Produced By: Simon Oliveira, Matthew Kay, Ricky Simms, Nugent Walker, Doyen Global
Director of Photography: Patrick Smith
Edited By: Paul Monaghan
Music By: Michelle De Vries
Directed By: Benjamin Turner
Produced By: Leo Pearlman
Executive Produced By: Simon Oliveira, Matthew Kay, Ricky Simms, Nugent Walker, Doyen Global
Director of Photography: Patrick Smith
Edited By: Paul Monaghan
Music By: Michelle De Vries
Thursday, October 20, 2016
LAST DITCH EFFORT TO STOP SAG/AFTRA V. VIDEO GAME INDUSTY WAR.
Interactive Video Game Companies made a final offer to video game performers that included an immediate 9 percent wage hike if SAG-AFTRA union members ratify the offer by Dec. 1 as part of a Comprehensive Revised and Enhanced Final Package Proposal for a new three year contract. But the union is still scheduled to strike on Friday.
The Companies and SAG-AFTRA brought in a Federal Mediator Wednesday. "We had hoped this would be successful, but union leadership left mediation without providing a counteroffer. We urged union leaders to put the package to a vote of their membership, but union leaders refused," said Scott J. Witlin of the law firm of Barnes & Thornburg, the chief negotiator for the Companies.
The Companies' offer of an immediate 9 percent raise accelerates the 3 percent annual increase sought by SAG-AFTRA negotiators over a three-year period.
As an added component, the Companies also offered Additional Compensation to performers of up to $950 per game based upon the number of sessions a performer works on a particular game. This, too, is conditioned upon a Dec. 1 ratification by SAG-AFTRA members. Together with the wage hike, this package could increase overall compensation by up to 23 percent for typical sessions, and in some cases more.
"We improved our offer to demonstrate our willingness to reach a fair, mutually-beneficial agreement after 18 months of negotiations," Witlin added.
"We value our performers and their dedication," Witlin said. "The union has demanded a contingency fee based upon number of games sold or subscribers. Instead of that, we are offering to immediately reward the hard work of performers through this accelerated raise and Additional Compensation package."
In summary, if ratified by Dec. 1, the Comprehensive Revised and Enhanced Final Package Proposal would bring the typical 4-hour voice over session and on-camera day rate to $900 as well as providing the Additional Compensation of up to $950 per game depending upon the number of sessions worked.
SAG-AFTRA unilaterally announced on Sunday that it will begin a strike on Friday, Oct. 21. The Video Game Companies said they hoped an agreement would be reached, but want fans to know that the majority of upcoming games already in production will be unaffected by any SAG-AFTRA strike due to the nature of the "No Strike Provisions" of the collective bargaining agreement.
The parties largely reached agreement on other outstanding issues including vocal stress and stunt coordination and have made substantial progress on transparency, he said. "We appreciate the hard work SAG-AFTRA has put into studying workplace safety and vocal stress," Witlin added.
"We look forward to working with the performers and SAG-AFTRA to continue to explore ways to further enhance the working environment," he said. "Many of the Companies and people on our committee are the best evangelists for the use of SAG-AFTRA members in this industry. We hope SAG-AFTRA does not precipitously rush into a strike that will immediately and directly take money out of their members' pockets."
The Companies and SAG-AFTRA brought in a Federal Mediator Wednesday. "We had hoped this would be successful, but union leadership left mediation without providing a counteroffer. We urged union leaders to put the package to a vote of their membership, but union leaders refused," said Scott J. Witlin of the law firm of Barnes & Thornburg, the chief negotiator for the Companies.
The Companies' offer of an immediate 9 percent raise accelerates the 3 percent annual increase sought by SAG-AFTRA negotiators over a three-year period.
As an added component, the Companies also offered Additional Compensation to performers of up to $950 per game based upon the number of sessions a performer works on a particular game. This, too, is conditioned upon a Dec. 1 ratification by SAG-AFTRA members. Together with the wage hike, this package could increase overall compensation by up to 23 percent for typical sessions, and in some cases more.
"We improved our offer to demonstrate our willingness to reach a fair, mutually-beneficial agreement after 18 months of negotiations," Witlin added.
"We value our performers and their dedication," Witlin said. "The union has demanded a contingency fee based upon number of games sold or subscribers. Instead of that, we are offering to immediately reward the hard work of performers through this accelerated raise and Additional Compensation package."
In summary, if ratified by Dec. 1, the Comprehensive Revised and Enhanced Final Package Proposal would bring the typical 4-hour voice over session and on-camera day rate to $900 as well as providing the Additional Compensation of up to $950 per game depending upon the number of sessions worked.
SAG-AFTRA unilaterally announced on Sunday that it will begin a strike on Friday, Oct. 21. The Video Game Companies said they hoped an agreement would be reached, but want fans to know that the majority of upcoming games already in production will be unaffected by any SAG-AFTRA strike due to the nature of the "No Strike Provisions" of the collective bargaining agreement.
The parties largely reached agreement on other outstanding issues including vocal stress and stunt coordination and have made substantial progress on transparency, he said. "We appreciate the hard work SAG-AFTRA has put into studying workplace safety and vocal stress," Witlin added.
"We look forward to working with the performers and SAG-AFTRA to continue to explore ways to further enhance the working environment," he said. "Many of the Companies and people on our committee are the best evangelists for the use of SAG-AFTRA members in this industry. We hope SAG-AFTRA does not precipitously rush into a strike that will immediately and directly take money out of their members' pockets."
Wednesday, October 19, 2016
Tuesday, October 18, 2016
CANDY CRUSH TO BE A $1 MILLION GAME SHOW ON CBS.
- CBS has ordered CANDY CRUSH, a new one-hour, live action game show series based on the globally renowned mobile game franchise. CBS, Lionsgate (NYSE:LGF) and King will join together on the new format created and executive produced by Matt Kunitz that will be distributed domestically by CBS Television Distribution and internationally by Lionsgate.
In the game Candy Crush Saga, players match colorful candies in combinations of three or more to win Candy Crush Saga and its sister title, Candy Crush Soda Saga, are two of the top 10 grossing mobile games in the U.S. On average, 18 billion game rounds are played every month around the world.*
points, defeat obstacles and progress through more than 2,000 levels.
In the series, the game that has become a worldwide phenomenon comes to life as teams of two people use their wits and physical agility to compete on enormous, interactive game boards featuring next generation technology to conquer CANDY CRUSH and be crowned the champions. A host will be announced at a later date.
"We are huge fans of Candy Crush and, like so many others, we know the 'rush' of advancing to the next level of the game," said Glenn Geller, President, CBS Entertainment. "We're excited to work with Lionsgate and King to adapt one of the world's most popular and entertaining game franchises for television and make it available to its massive, passionate fan base who can watch and play along at home."
"The Candy Crush franchise is a world-renowned property, so when the head of our interactive and games division, Peter Levin, brought this IP to Lionsgate, we instantly knew it would make an incredibly visual, physical and fun TV program," said Kevin Beggs, Chairman, Lionsgate Television Group. "CBS is a leader in unscripted television, which makes it the ideal home for CANDY CRUSH, and we're very happy to have Matt shepherding the production as we partner with the team at King on this series with the tremendous second-screen potential."
"We have a very entrepreneurial culture at Lionsgate, so we look for awesome worldwide IP like Candy Crush and work together across divisions to bring it to fans on every platform possible. Everyone who has played it knows that Candy Crush is an exciting, visual switcher game with great characters, and Matt and our alternative television team are working closely with Sebastian Knutsson and his creative team at King to bring it to life on CBS," said Peter Levin, President, Interactive Ventures and Games for Lionsgate, and executive producer on the series. Levin worked with Striker Entertainment's Russell Binder, King's licensing agent in the U.S., to facilitate licensing Candy Crush IP for this television show.
"The Candy Crush franchise lends itself perfectly to the kind of larger-than-life, physical game shows that I love to produce and CBS is the perfect home for it," said executive producer Matt Kunitz ("Wipeout," "Fear Factor"). "As a Candy Crush Saga player myself, I am excited to amp up the action and visuals in our huge Candy Crush Arena."
"The Candy Crush franchise has been loved by players around the world on mobile so it's very exciting to be working with Matt and the team to bring the fun and challenge of theCandy Crush games to television. We hope our players will be entertained by what is set to be a high-energy, challenging game show," said Sebastian Knutsson, Chief Creative Officer, King, and executive producer of CANDY CRUSH.
CANDY CRUSH will be produced by Pulse Creative in association with Lionsgate Television, King Ltd. and CBS Television Studios. Matt Kunitz, Peter Levin, Russell Binder, Nicki Sheard, VP Brand at King, and Sebastian Knutsson will serve as executive producers. Knutsson is King's Chief Creative Officer and is one of the founders of the company. He created Candy Crush Saga.
*Candy Crush Saga average monthly game rounds as of Sept. 2016.
Monday, October 17, 2016
Saturday, October 15, 2016
Thursday, October 13, 2016
Wednesday, October 12, 2016
Tuesday, October 11, 2016
Monday, October 10, 2016
Sunday, October 09, 2016
Thursday, October 06, 2016
Wednesday, October 05, 2016
JACK REACHER SAID:NEVER GO BACK- WITHOUT A FREE GREYHOUND TICKET.
Greyhound, the largest provider of intercity bus transportation in North America, today announced the launch of its "Hit the Road Jack" sweepstakes to celebrate its appearance in Paramount Pictures and Skydance's upcoming feature film, "Jack Reacher: Never Go Back," starring Tom Cruise, in theatres Oct. 21. Beginning Oct. 4 through Nov. 4, Jack Reacher enthusiasts can enter to win a fullNew Orleans trip experience – including airfare, hotel, Mardi Gras 2017 tickets and a $300 cash trip stipend.
To enter the sweepstakes, entrants will fill out an official entry form via Greyhound.com/JackReacher, or by mailing in an entry.
"New Orleans is an iconic city to visit – with its rich culture and history, fascinating people, fantastic food and sight-seeing," said Kimberly Plaskett, vice president of marketing, Greyhound Lines, Inc. "We're glad to be able to promote a trip to such an amazing destination, while celebrating our role in 'Jack Reacher: Never Go Back.' The film is perfect for the thrill-seeker, as is the trip we're offering to one lucky winner. Entrants who don't win should know that we have numerous routes to the Big Easy every day – all equipped with our premium amenities – including free Wi-Fi, power outlets, leather seats and extra legroom."
The winner of Greyhound's "Hit the Road Jack" sweepstakes will receive:
- Round-trip airfare for two to New Orleans
- A three-night hotel stay in the French Quarter
- Two tickets to Mardi Gras World, including the Mardi Gras World Tour
- A $300 cash stipend to spend during the trip
A random drawing will be held Nov. 18 to determine the winner. The winner will be notified via phone and mail, based on the information provided in the entry. Total value of the prize package is more than $4,000. To review restrictions, official rules and details for the "Hit the Road Jack" sweepstakes, visit: Greyhound.com/JackReacher.
Jack Reacher (Tom Cruise) returns with his particular brand of justice in the highly anticipated sequel "JACK REACHER: NEVER GO BACK" from Paramount Pictures and Skydance. When Army Major Susan Turner (Cobie Smulders), who heads Reacher's old investigative unit, is arrested for treason, Reacher will stop at nothing to prove her innocence and to uncover the truth behind a major government conspiracy involving soldiers who are being killed. Based upon JACK REACHER: NEVER GO BACK, author Lee Child's 18th novel in the best-selling Jack Reacher series, that has seen 100 million books sold worldwide. The film stars Tom Cruise, Cobie Smulders, Aldis Hodge, Danika Yarosh, Patrick Heusinger, Holt McCallany and Robert Knepper.
Produced by Tom Cruise, Don Granger and Christopher McQuarrie. Based on the book "Never Go Back" byLee Child, with a screenplay by Richard Wenk and Edward Zwick & Marshall Herskovitz. Executive Produced byPaula Wagner, Herbert W. Gains, David Ellison, and Dana Goldberg. Directed by Edward Zwick.
"JACK REACHER: NEVER GO BACK" opens in theaters on October 21, 2016.
Tuesday, October 04, 2016
Monday, October 03, 2016
Thursday, September 29, 2016
CELEBRITY Q AND A: 5X LADY WRESTLING CHAMPION, MELINA!
Factoids: IMDB
I asked the largely, villainous WWE lady wrestler, what TV show she would want to do?
Melina Perez said, she couldn't decide, because her interests are too numerous.
Perez said, "I could get into acting, it would be awesome-because there's longevity in there. Plus, If I'm going to do something -I have to put 100 percent into it." Perez concurred that, "People Love Me, because I'm the one (the audience) loves to hate."
Finally, after that answer- she decided she might like to do, Once Upon a Time, because she idolized the main villain (the Lady Mayor/Wicked Queen) played by Lana Parrilla- on the show. "She's Amazing! She's a good villain! You (truly) want her to be good,but stay the same.That's the type of person, people see me as (playing)!," concluded Perez.
She dressed up as Wonder Woman,due to loving Lynda Carter take- on the iconic role. She charmingly states, "That's what I grew up! It's hard for me to accept the new change" with Godot's Xena wear for Diana T. Prince. We both agreed Gal Godot is good.Still, she has yet to truly look like the character or instill the girl-next-door vibe,as Carter did so well, like she stepped out of a comic book. After praising Carter's sexiness a little more,we both determined that this was, Zack Snyder's fault.
Wednesday, September 28, 2016
Tuesday, September 27, 2016
Monday, September 26, 2016
Thursday, September 22, 2016
Wednesday, September 21, 2016
Tuesday, September 20, 2016
Monday, September 19, 2016
Friday, September 16, 2016
Thursday, September 15, 2016
Tuesday, September 13, 2016
Monday, September 12, 2016
Thursday, September 08, 2016
STEPHEN COLBERT GIVES BACK THE AMERICAN DREAM,AS ICE CREAM.
My, how time flies. Just a year ago there was much hype and anticipation about the newest late night successor. The focus was that the American public was going to meet someone who they'd seen for a long time, but barely knew. The entertainer who has won the top recognition in his industry (including Emmy, Peabody, Grammy awards and more) brought something to The Late Show that hadn't been seen much on television previously: the real Stephen Colbert.
Throughout the year while the program has featured Hollywood's A list actors and musicians, and its own infectious and insanely talented band in Jon Batiste and Stay Human, it has certainly hit its stride around the hottest topic du jour: politics especially skewering the presidential campaign and all its players. Critically acclaimed, heady, funny, with candid interviews of top politicos like Hilary Clinton, Donald Trump, Tim Kaine and who could forget the riveting exchange with Joe Biden, a spoof of the Hunger Games picking off presidential candidates as they fell one-by-one, and of course holding the top party candidates squarely in the comedy crosshairs on a nightly basis have demonstrated what The Late Show does best. Live shows following the Republican National Convention and Democratic National Convention captured Colbert and his penchant to poke fun at our political process and the leaders clamoring for those positions.
And what does the man himself think of his first year? "I scream, you scream, we all scream for the one-year birthday of the Late Show," said Colbert from his office in the Ed Sullivan Theater. "And I'm glad we get to celebrate this momentous occasion with Ben and/or Jerry."
Celebrating the September 8 anniversary, Ben & Jerry's unveils a brand new look for Colbert's Americone Dream ice cream flavor. The fan favorite flavor introduced in 2007 continues to gain ground ranked among the best-selling flavors. Both the entertainer and his sugary charlatan have staying power. With its new look inspired by artwork from The Late Show artist Tim Luecke, featuring a friendlier Colbert, a marquee, and the New York city skyline – the new look gets up to date and personal acknowledging Colbert's ascension. As one of the best selling flavors in New York City, Americone Dream will be featured on billboards from Brooklyn to the Bronxshowing off the new look. On the September 8 anniversary, Ben & Jerry's is taking pints of Americone Dream to The Late Show fans on the streets of New York City to with the @ColbertLateShow team.
Watch CBS's The Late Show at 11:35 pm. Check your local listing.
About Ben & Jerry'sAs an aspiring social justice company, Ben & Jerry's believes in a greater calling than simply making a profit for selling its goods. The company produces a wide variety of super-premium ice cream, yogurt and sorbet using high-quality ingredients. Ben & Jerry's incorporates its vision of Linked Prosperity into its business practices in a number of ways including a focus on values-led sourcing. In 2015 the company completed its transition to using entirely non-GMO (genetically modified organisms) ingredients by source as well as to fully source Fairtrade-certified ingredients wherever possible, which benefits farmers in developing countries. Ben and Jerry's products are distributed in 35 countries in supermarkets, grocery stores, convenience stores, franchise Ben & Jerry's Scoop Shops, restaurants and other venues. Ben & Jerry's, a Vermont corporation and wholly-owned subsidiary of Unilever, operates its business on a three-part Mission Statement emphasizing product quality, economic reward and a commitment to the community. Ben & Jerry's became a certified B Corp (Benefit Corporation) in 2012. The Ben & Jerry's Foundation's employee-led grant programs totaled $2.5MM in 2015 to support economic and social justice, environmental restoration, and peace through understanding. For the inside scoop on Ben & Jerry's visit www.benjerry.com.
Tuesday, September 06, 2016
Friday, September 02, 2016
Thursday, September 01, 2016
Tuesday, August 30, 2016
Monday, August 29, 2016
Thursday, August 25, 2016
THE FOURTH YEAR OF NASHVILLE, STARTS IN OCTOBER.
AXS TV is going country, premiering the fourth season of the popular music drama NASHVILLE on Saturday, October 1, at 9pE/6pP. The network will air back-to-back episodes every Saturday night at 9pE and 10pE, with encores following immediately after. AXS TV is the exclusive broadcast home to the first four seasons of this Emmy®-nominated production.
Kicking off the festivities on October 1 is a NASHVILLE Marathon, starting at 3:30pE with a special NASHVILLEencore edition of THE BIG INTERVIEW, following host Dan Rather as he tours some of the series' most iconic sets, and speaks with stars Connie Britton and Charles Esten about their careers, personal lives, and their roles on the show. Then, stay tuned to watch the last five episodes of NASHVILLE's season three at 4pE, leading up to the first two episodes of season four at 9pE and 10pE. The first two episodes of the fourth season will immediately encore after their premieres.
"AXS TV is proud to be the broadcast home of season four of NASHVILLE," said Michele M. Dix, AXS TV's senior vice president, programming and development. "Packed with unprecedented guest appearances, standout musical numbers, and captivating drama, it's easy to see why this series has resonated so much with its viewers. This is a perfect chance for fans both old and new to relive all the intensity of NASHVILLE's climactic fourth season."
Produced by Lionsgate, ABC Studios, and Opry Entertainment, NASHVILLE is set against the backdrop of the city's music scene and follows Rayna Jaymes and Juliette Barnes. Both women face personal and professional challenges as they navigate their paths as artists and individuals. Surrounding them and often complicating their lives are their family, friends and, in some cases, lovers, as well as the up-and-coming performers and songwriters trying to get ahead in the business. Music City can mean so many things to different people. In NASHVILLE, musicians and songwriters are at the heart of the storm driven by their own ambitions. Some are fueled by their creativity and passion for fame. Others struggle to cope with the pressures of success and are doing everything in their power to stay on top.
NASHVILLE stars Connie Britton as Rayna Jaymes, Hayden Panettiere as Juliette Barnes, Clare Bowen as Scarlett O'Connor, Chris Carmack as Will Lexington, Will Chase as Luke Wheeler, Charles Esten as Deacon Claybourne, Jonathan Jackson as Avery Barkley, Sam Palladio as Gunnar Scott, Maisy Stella as Daphne Conrad, Lennon Stella as Maddie Conrad and Aubrey Peeples as Layla Grant.
In addition to its dramatic plots and unforgettable performances, NASHVILLE has featured a number of impressive guest appearances from some of the biggest names in entertainment, including Florida Georgia Line, Carrie Underwood, Kelly Clarkson, Brad Paisley, Luke Bryan, Katie Couric, and Conan O'Brien, just to name a few.
Wednesday, August 24, 2016
Tuesday, August 23, 2016
Monday, August 22, 2016
CELEBRITY Q AND A: FORMER TALK SHOW HOST/AUTHOR ROLANDA WATTS.
EXT. BALDWIN HILLS BOOK FESTIVAL-DAY.
Data Hard: Wow, the talk show host WROTE a book!
Watts attempt to hard sell me the book, by price & was willing to give me a discount, due to being handicapped.
Data Hard: How come you didn't get another talk show?
Watts: What!?
Watts found her big break, in 1994. Her syndicated,late night talk show- Rolanda replaced another talk show. That was- The Les Brown Show, by the famed, positive, motivational speaker. Watts also appeared as Vivica Shaw on Sister-Sister,a narrator for the entire 16+ year run on the Judge Joe Brown show & is Professor Wiseman on Curious George on PBS.
Data Hard: (repeats question) I liked it. It was a good show.
Watts (thinking & grinning): I wanted to do other things. I've done both acting & writing...There's more to life, than talk shows.
Data Hard: ...Continued Success.
Watts (angry smirk): OK, thank you.
Factoids: IMDB
Factoids: IMDB
Friday, August 19, 2016
Wednesday, August 17, 2016
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