THE GREAT MUSIC AT THE AMAs'16.

IS GIGI HADID THE NEW KHLOE KARDASHIAN, OF HOSTING?

TODAY,MARK WAHLBERG CELEBRATES HIS PATRIOT'S DAY!

PEOPLE FINALLY ATTACK JUSTIN BIEBER!

AN OJ LIKE CIVIL VERDICT, IN THE BOBBI KRISTINA CASE.

AN ALLIED ACCENT.

AMERICA DROWNS ITS SORROW OF TRUMP'S WIN,WITH FILMS.

The major motion picture industry picked up millions of unexpected customers this past weekend as Americans flocked to the box office in the wake of the U.S. Presidential election, and there is evidence the surge could last for several weeks. 

According to industry reports, the overall box office was just over $157 million, significantly higher than predicted. 

"America went back to the movies this weekend," said Jack MacKenzie, EVP of PSB, a leading entertainment market research firm. "It appears we collectively left work Friday or woke up Saturday and chose movies as the way to deal with whatever was on our minds. This upheaval bump could very well last throughout the important holiday season."

Nearly every movie in theaters outperformed expectations, including movies that had opened on previous weekends. "The performance of Dr. Strange and Trolls was stunning," MacKenzie said. "It suggests America held its collective breath the last week of the campaign and exhaled this weekend. It was opening weekend all over again."

According to Box Office Mojo, Trolls took in $34 million, only a 24% drop from opening weekend.  Dr. Strange took in $42.9 million, a little more than half of its opening weekend performance of $84 million.  Other strong performers included Hacksaw Ridge ($10.6/-30%) and The Accountant, which raked in $4.4m—down only 25% from the prior week.

Leading the opening weekend pack was Arrival, which far exceeded expectations and tracking predictions by bringing in $24 million.  According to exclusive exit poll data, VeriTES data shows that more than half of Arrival's customers decided to see it same day. "Not only did nearly 33% more people make the sudden decision to escape to the movies this weekend than normally would – most of them chose to see a film about communicating with an alien species," said Jeff Neuman, President of VeriTES. "While audiences have ever expanding platforms for entertainment, movies remain the most egalitarian and immediately accessible way for social escapism, a collective change the subject narrative." 

According to PSB and VeriTES analysis, the weekend performance is a repeat of prior box office performances following social upheaval. "If you go back to the economic crisis of 2009 and more recently the Brexit vote in the UK, movies have served as the nation's salve before, said MacKenzie. "Our data tells us it is happening again."

Given the historical data, combined with the continued social unrest, MacKenzie says it's likely the US box office could be in for a good run. "The studios have tent-poles and big budget moves lined up over the next six weeks.  This could be a situation where 1+1 equals more than 2 and could help Hollywood end the year in positive territory," MacKenzie said.

WHO'S WHO AT THE AMAs.

HOLLYWOOD: AFTER TRUMP'S TRIUMPH.

MEET THE NEW HAN SOLO!

NOW YOU KNOW WHY, GIRLS LOVE HORSES.

TAYLOR SWIFT'S STALKER BUSTED!

BRUCE CAMPBELL: BLOOD NOTICE.

AN EVIL BIGOT NOW WANTS PEACE, AFTER HE CAUSED A DIVISIVE ELECTION.

TOO MUCH TV, MEANS MORE JOBS FOR ALL.

GET MORE FOLLOWERS, FROM THEM.

CELEBRITY CANADA OR BUST?!

BEYONCE CRASHES- THE WHITEST NIGHT IN TV,THE COUNTRY MUSIC AWARDS!

SAM AXE ON GIVING THE LADIES ALL THE SIR RICHARD HE CAN!

THE COSBY BASTARD, STARRING BILL COSBY.

JUSTIN BIEBER ON BEING A BASTARD, TO HIS TEENY BOPPER CROWD.

HOW HAL W(LOUD NOISE) INTRODUCED HEISINBERG TO THE WORLD.

A CASE OF CELEBRITY BROS BEFORE HOS THAT FAILED?

FELICITY JONES SWEEPS THROUGH STAR WARS,LIKE AN INFERNO.

VIDEO GAME INDUSTRY RELEASES- BS DOCUMENTS TO BLAME SAG/AFTRA, FOR THE STRIKE.

From PR Newswire:

Video Game Companies today released copies of the Companies' and the Union's last proposals which show that the Companies matched SAG-AFTRA's requests for wages, benefits, and additional compensation before the Union called its strike. The documents also show that the Companies and the Union had reached agreement to collaboratively investigate vocal stress issues during the term of the next contract.

"These proposals exchanged across the table prove the Companies and SAG-AFTRA have largely agreed on the significant issues before us except for the label we have placed on the 'Additional Compensation,' which would be paid above and beyond our proposed 9% pay increase," said Scott J. Witlin of the law firm of Barnes & Thornburg, the chief negotiator for the Video Game Companies. "The documents also demonstrate that the Companies value performers and reached agreement with the Union on the issue of vocal stress."

Witlin reiterated that the Companies have been impressed by the research presented by SAG-AFTRA into the issue of vocal stress. The Companies attempted to address the concerns raised by the SAG-AFTRA bargaining committee during negotiations by offering performers innovative working arrangements including split sessions and multiple performer sessions, but those proposals were rejected by SAG-AFTRA leaders.  

"Among their proposals, the Companies offered to split a 4-hour recording session into two, two-hour portions with the second session to be performed within five days of the first session to ease the stress on performers, but this and other offers were rejected by SAG-AFTRA. This is an area that the parties have agreed to continue to collaboratively investigate during the term of the next contract. Exploring ways to further improve working conditions is something both sides should be committed to," Witlin added. 

The Video Game Companies released a chart and supporting documentation from both the Companies and SAG-AFTRA to demonstrate that the Companies' final proposal to SAG-AFTRA is almost identical to the Union's proposal. 

The chart validates the Companies' position that they have substantially met SAG-AFTRA's last proposal, including the topic of workplace safety. There is nearly no difference between the Companies' final proposal and the Union's proposal. The wages, additional compensation, pension and health contributions, vocal stress, stunt coordination, and transparency proposals are almost identical as summarized below: 

9 Percent Wage Hike

The Companies exceeded the Union's request for a 3% raise over each of the next three years by Companiesoffering a 9 percent up-front increase, but only if a new agreement is ratified by December 1.

Additional Compensation

In the Companies' final proposal, the Companies increased the maximum amount of Additional Compensation to match the amount of the Union's request for a 'contingent' compensation buy out of up to $950. While the Companies have held to their position that there will be no 'contingent' compensation, the Companies have proposed a schedule of "Additional Compensation" that largely matches SAG-AFTRA's last demand, including the total aggregated figure and the number of sessions necessary to earn that amount. This offer, too, must be ratified by December 1 to become effective. 

Pension and Health Contributions

The Companies agreed to the Union's request for a 0.5% increase and have agreed in principal regarding which of the benefit plans the money should be directed to.

Vocal Stress Issues

After the Union rejected the Companies' proposals concerning modifying voice over sessions to mitigate any risk of vocal stress, the parties agreed on forming a joint cooperative committee to study vocal stress issues. 

Stunt Coordination

The expired Interactive Media Agreement between the Companies and SAG-AFTRA already provides for a stunt coordinator to be on site for sessions that include stunts. While SAG-AFTRA made no new proposals in this area, it did seek further clarification about the use of stunt coordinators and both sides agreed to continue those discussions through the cooperative committee during the term of the new agreement. 

Transparency

The Union's proposal requested additional up front information when booking performers in video games to know more information (game title name, new role or a reprise of a previous role). The Companies enhanced their proposal to agree to provide the code name of the project and whether the performer will be asked to reprise a previous role. While SAG-AFTRA contends that the video game industry is the only industry not to require an employer to reveal the name of the project on which a performer is working, SAG-AFTRA has no such requirement in Television, Theatrical Motion Pictures or Animation agreements.  

Summary

Except for the label on the Companies' 'Additional Compensation' proposal, there are no significant material differences between the Companies' final proposal and the Union's last proposal. The wages, additional compensation, pension and health contributions, vocal stress, stunt coordination, and transparency proposals are almost identical. 

"The Union negotiating committee's continued public positioning of workplace safety as a rationale for striking these pro-Union Companies is disingenuous and paternalistic," Witlin said. "SAG-AFTRA should allow its affected members to vote on the Companies' final proposal and determine for themselves whether the semantic difference that does exist between 'additional compensation' and 'residual' is worth the costs of a strike."

USAIN BOLT TO GET DOCU-DRAMA IN THEATERS.

 In cinemas around the world on November 28, I AM BOLT will give audiences a unique portrait of the world's fastest man, Usain Bolt. With unprecedented access to the Olympic and sporting legend as he trains, travels, races and relaxes, the film also spotlights Bolt's other roles as best friend, teammate and son. I AM BOLT will be available on Digital HD and On Demand on November 29, 2016 and on DVD on December 6, 2016 from Universal Pictures Home Entertainment. 

With unparalleled access to all facets of his life on and off track, audiences will see for the very first time what being Usain Bolt is really like – from his grueling training schedule, major setbacks and challenges he faces in order to achieve his dreams on the global stage to his downtime with friends and family.

Featuring archive footage from Bolt's youth, in-depth interviews with those closest to him – his parents, best friends, agent, coach and fellow athletes – and fascinating footage shot by the man himself over a legacy-defining period in his career and life, I AM BOLT offers an intimate portrayal of a globally adored icon.

Commenting on the film's forthcoming release, Bolt said: "My aim with making this film is to show people how my life really is… What I've been through to get me where I am today, the ups and the downs, and an insight into what I am thinking and feeling.  I know a lot of people around the world feel like they know me already but I'm excited for everyone to see the real me in I AM BOLT."

The Triple Treble Olympic Gold medalist will mark his silver screen debut on November 28 by attending the film's world premiere in London's Leicester Square that night while international cinema audiences will be treated to an exclusive interview with Bolt following the main feature presentation.

Filmed on location at the Beijing World Championships, Rio Olympics, London Olympics and in Germany and Jamaica, I AM BOLT is produced by Fulwell 73, the creators of acclaimed documentaries Class of '92 and In the Hands of the Gods, in association with Doyen Global.  Co-directed by Gabe Turner and Ben Turner, I AM BOLTis produced by Leo Pearlman, Executive Produced by Simon Oliveira, Matthew Kay, Ricky Simms and Nugent Walker and distributed internationally by Universal Pictures Home Entertainment Content Group.

BONUS FEATURES ON DVD AND DIGITAL HD

• The Making of I Am Bolt

FILMMAKERS:Cast: Usain Bolt, Pelé, Chronixx, Neymar, Serene Williams, Lord Sebastian Coe, Ziggy Marley, Yohan Blake, Asafa Powell, Michael Johnson, Donovan Bailey 
Directed By: Benjamin Turner
Produced By: Leo Pearlman
Executive Produced By: Simon Oliveira, Matthew Kay, Ricky Simms, Nugent Walker, Doyen Global
Director of Photography: Patrick Smith 
Edited By: Paul Monaghan 
Music By: Michelle De Vries

BRITTANY SPEARS ACTUALLY SANG,WHILE ALMOST TOPLESS.

WHY CELEBRITY BLACK CHILDREN AREN'T FRIENDS....

LAST DITCH EFFORT TO STOP SAG/AFTRA V. VIDEO GAME INDUSTY WAR.

Interactive Video Game Companies made a final offer to video game performers that included an immediate 9 percent wage hike if SAG-AFTRA union members ratify the offer by Dec. 1 as part of a Comprehensive Revised and Enhanced Final Package Proposal for a new three year contract. But the union is still scheduled to strike on Friday.
The Companies and SAG-AFTRA brought in a Federal Mediator Wednesday. "We had hoped this would be successful, but union leadership left mediation without providing a counteroffer. We urged union leaders to put the package to a vote of their membership, but union leaders refused," said Scott J. Witlin of the law firm of Barnes & Thornburg, the chief negotiator for the Companies.
The Companies' offer of an immediate 9 percent raise accelerates the 3 percent annual increase sought by SAG-AFTRA negotiators over a three-year period.

As an added component, the Companies also offered Additional Compensation to performers of up to $950 per game based upon the number of sessions a performer works on a particular game. This, too, is conditioned upon a Dec. 1 ratification by SAG-AFTRA members. Together with the wage hike, this package could increase overall compensation by up to 23 percent for typical sessions, and in some cases more.
"We improved our offer to demonstrate our willingness to reach a fair, mutually-beneficial agreement after 18 months of negotiations," Witlin added.
"We value our performers and their dedication," Witlin said. "The union has demanded a contingency fee based upon number of games sold or subscribers. Instead of that, we are offering to immediately reward the hard work of performers through this accelerated raise and Additional Compensation package."
In summary, if ratified by Dec. 1, the Comprehensive Revised and Enhanced Final Package Proposal would bring the typical 4-hour voice over session and on-camera day rate to $900 as well as providing the Additional Compensation of up to $950 per game depending upon the number of sessions worked.
SAG-AFTRA unilaterally announced on Sunday that it will begin a strike on Friday, Oct. 21. The Video Game Companies said they hoped an agreement would be reached, but want fans to know that the majority of upcoming games already in production will be unaffected by any SAG-AFTRA strike due to the nature of the "No Strike Provisions" of the collective bargaining agreement.
The parties largely reached agreement on other outstanding issues including vocal stress and stunt coordination and have made substantial progress on transparency, he said. "We appreciate the hard work SAG-AFTRA has put into studying workplace safety and vocal stress," Witlin added.
"We look forward to working with the performers and SAG-AFTRA to continue to explore ways to further enhance the working environment," he said. "Many of the Companies and people on our committee are the best evangelists for the use of SAG-AFTRA members in this industry. We hope SAG-AFTRA does not precipitously rush into a strike that will immediately and directly take money out of their members' pockets."

THESE TWO ACTORS ARE SO OVERRATED.

CHER V. TRUMP- IN LAS VEGAS?

RACHEL MCADAMS WILL WORK W/ LILO AGAIN FOR MEAN GIRLS 2.

KHLOE ON KIM'S ROBBERY THING.

CANDY CRUSH TO BE A $1 MILLION GAME SHOW ON CBS.

- CBS has ordered CANDY CRUSH, a new one-hour, live action game show series based on the globally renowned mobile game franchise. CBS, Lionsgate (NYSE:LGF) and King will join together on the new format created and executive produced by Matt Kunitz that will be distributed domestically by CBS Television Distribution and internationally by Lionsgate. 

In the game Candy Crush Saga, players match colorful candies in combinations of three or more to win Candy Crush Saga and its sister title, Candy Crush Soda Saga, are two of the top 10 grossing mobile games in the U.S. On average, 18 billion game rounds are played every month around the world.*

points, defeat obstacles and progress through more than 2,000 levels.

In the series, the game that has become a worldwide phenomenon comes to life as teams of two people use their wits and physical agility to compete on enormous, interactive game boards featuring next generation technology to conquer CANDY CRUSH and be crowned the champions. A host will be announced at a later date.

"We are huge fans of Candy Crush and, like so many others, we know the 'rush' of advancing to the next level of the game," said Glenn Geller, President, CBS Entertainment.  "We're excited to work with Lionsgate and King to adapt one of the world's most popular and entertaining game franchises for television and make it available to its massive, passionate fan base who can watch and play along at home."

"The Candy Crush franchise is a world-renowned property, so when the head of our interactive and games division, Peter Levin, brought this IP to Lionsgate, we instantly knew it would make an incredibly visual, physical and fun TV program," said Kevin Beggs, Chairman, Lionsgate Television Group. "CBS is a leader in unscripted television, which makes it the ideal home for CANDY CRUSH, and we're very happy to have Matt shepherding the production as we partner with the team at King on this series with the tremendous second-screen potential."

"We have a very entrepreneurial culture at Lionsgate, so we look for awesome worldwide IP like Candy Crush and work together across divisions to bring it to fans on every platform possible. Everyone who has played it knows that Candy Crush is an exciting, visual switcher game with great characters, and Matt and our alternative television team are working closely with Sebastian Knutsson and his creative team at King to bring it to life on CBS," said Peter Levin, President, Interactive Ventures and Games for Lionsgate, and executive producer on the series. Levin worked with Striker Entertainment's Russell Binder, King's licensing agent in the U.S., to facilitate licensing Candy Crush IP for this television show.

"The Candy Crush franchise lends itself perfectly to the kind of larger-than-life, physical game shows that I love to produce and CBS is the perfect home for it," said executive producer Matt Kunitz ("Wipeout," "Fear Factor"). "As a Candy Crush Saga player myself, I am excited to amp up the action and visuals in our huge Candy Crush Arena."

"The Candy Crush franchise has been loved by players around the world on mobile so it's very exciting to be working with Matt and the team to bring the fun and challenge of theCandy Crush games to television. We hope our players will be entertained by what is set to be a high-energy, challenging game show," said Sebastian Knutsson, Chief Creative Officer, King, and executive producer of CANDY CRUSH.

CANDY CRUSH will be produced by Pulse Creative in association with Lionsgate Television, King Ltd. and CBS Television Studios. Matt Kunitz, Peter Levin, Russell Binder, Nicki Sheard, VP Brand at King, and Sebastian Knutsson will serve as executive producers.  Knutsson is King's Chief Creative Officer and is one of the founders of the company.  He created Candy Crush Saga.

*Candy Crush Saga average monthly game rounds as of Sept. 2016.

LEO DICAPRIO KNOWS TRUMP WILL "RIG" THE TRUTH, ABOUT CLIMATE CHANGE.

HOLLYSCOOP BUYS A DESK, TO ATTACK THE DONALD.

TOM CRUISE REACHES TO NCIS:NO,FOR JACK'S PREMIERE.

THIS COULD BE THE NEXT 8 YEARS, WITH DONALD TRUMP.

EVEN BELOVED TOM HANKS, WEIGHS IN ON THE DONALD.

BILLY BUSH IS TOAST, AS OF TODAY.

REAL NEWS-TRUMP TAKES A BATH IN FRONT OF CHRISTIAN WOMAN.

KYLIE, THE COLLEGE 'HO?

JUSTIN BIEBER IS THE TRUE WEIRDO,NOT ANYONE ELSE.

THE EX MRS. AFFLECK IS WITH HER NOW.

WILL TAGS SUCCEED, WHERE TRACKS FAILED?

RACIST PRISON OVERCROWDING TACKED IN "13TH" (AMENDMENT.)

TRIS PRYOR ARRESTED, FOR TRESPASSING.

FBI CLEARS BRAD PITT ON PLANE GATE SCANDAL.

THE GREAT LEA THOMPSON AND SHARON STONE, SPEAK UP ON TRUMP'S OBSESSION W/ NANCY O'DELL.

IS BRAD PITT THE TRUE VICTIM, OF THE DEATH OF BRANGELINA?

JACK REACHER SAID:NEVER GO BACK- WITHOUT A FREE GREYHOUND TICKET.

 Greyhound, the largest provider of intercity bus transportation in North America, today announced the launch of its "Hit the Road Jack" sweepstakes to celebrate its appearance in Paramount Pictures and Skydance's upcoming feature film, "Jack Reacher: Never Go Back," starring Tom Cruise, in theatres Oct. 21. Beginning Oct. 4 through Nov. 4, Jack Reacher enthusiasts can enter to win a fullNew Orleans trip experience – including airfare, hotel, Mardi Gras 2017 tickets and a $300 cash trip stipend.

To enter the sweepstakes, entrants will fill out an official entry form via Greyhound.com/JackReacher, or by mailing in an entry.

"New Orleans is an iconic city to visit – with its rich culture and history, fascinating people, fantastic food and sight-seeing," said Kimberly Plaskett, vice president of marketing, Greyhound Lines, Inc. "We're glad to be able to promote a trip to such an amazing destination, while celebrating our role in 'Jack Reacher: Never Go Back.' The film is perfect for the thrill-seeker, as is the trip we're offering to one lucky winner. Entrants who don't win should know that we have numerous routes to the Big Easy every day – all equipped with our premium amenities – including free Wi-Fi, power outlets, leather seats and extra legroom." 

The winner of Greyhound's "Hit the Road Jack" sweepstakes will receive:

• Round-trip airfare for two to New Orleans
• A three-night hotel stay in the French Quarter
• Two tickets to Mardi Gras World, including the Mardi Gras World Tour
• A $300 cash stipend to spend during the trip

A random drawing will be held Nov. 18 to determine the winner. The winner will be notified via phone and mail, based on the information provided in the entry. Total value of the prize package is more than $4,000. To review restrictions, official rules and details for the "Hit the Road Jack" sweepstakes, visit:  Greyhound.com/JackReacher. 

Jack Reacher (Tom Cruise) returns with his particular brand of justice in the highly anticipated sequel "JACK REACHER: NEVER GO BACK" from Paramount Pictures and Skydance. When Army Major Susan Turner (Cobie Smulders), who heads Reacher's old investigative unit, is arrested for treason, Reacher will stop at nothing to prove her innocence and to uncover the truth behind a major government conspiracy involving soldiers who are being killed.  Based upon JACK REACHER: NEVER GO BACK, author Lee Child's 18th novel in the best-selling Jack Reacher series, that has seen 100 million books sold worldwide. The film stars Tom Cruise, Cobie Smulders, Aldis Hodge, Danika Yarosh, Patrick Heusinger, Holt McCallany and Robert Knepper.

Produced by Tom Cruise, Don Granger and Christopher McQuarrie. Based on the book "Never Go Back" byLee Child, with a screenplay by Richard Wenk and Edward Zwick & Marshall Herskovitz. Executive Produced byPaula Wagner, Herbert W. Gains, David Ellison, and Dana Goldberg. Directed by Edward Zwick.

"JACK REACHER: NEVER GO BACK" opens in theaters on October 21, 2016.

KANYE WEST CLEANS HOUSE, AFTER KIDNAPPING DEBACLE.

USHER AND LILY DEEP SIT TOGETHER, AT FASHION SHOW.

APPRENTICE CREW REVEAL- THE HIDDEN TRUMP'S SEXISM ON THE SHOW.

CELEBRITY Q AND A: 5X LADY WRESTLING CHAMPION, MELINA!

Factoids: IMDB

I asked the largely, villainous WWE lady wrestler, what TV show she would want to do? 

Melina Perez said, she couldn't decide, because her interests are too numerous.

Perez said, "I could get into acting, it would be awesome-because there's longevity in there. Plus, If I'm going to do something -I have to put 100 percent into it." Perez concurred that, "People Love Me, because I'm the one (the audience) loves to hate."

Finally, after that answer- she decided she might like to do, Once Upon a Time, because she idolized the main villain (the Lady Mayor/Wicked Queen) played by Lana Parrilla- on the show. "She's Amazing! She's a good villain! You (truly) want her to be good,but stay the same.That's the type of person, people see me as (playing)!," concluded Perez.

  She dressed up as Wonder Woman,due to loving Lynda Carter take- on the iconic role. She charmingly states, "That's what I grew up! It's hard for me to accept the new change" with Godot's Xena wear for Diana T. Prince. We both agreed Gal Godot is good.Still, she has yet to truly look like the character or instill the girl-next-door vibe,as Carter did so well, like she stepped out of a comic book. After praising Carter's sexiness a little more,we both determined that this was, Zack Snyder's fault. 

PRANKSTER VITALIII SEDIUK MUST GET AN MTV SHOW, OR BE SENT TO PRISON.

ROB LOWE IS CODE BLACK, NOW.

KATY PERRY'S DEMOCRATIC ROAR, GETS HER "ARRESTED".

COULD GIGI HADID GO PRO?

GIGI HADID ATTACKS KIDNAPPER,WHILE WARNER BROS BOTHERS HOLLYSCOOP (UNRELATED TO VIDEO.)

SELENA GOMEZ EARNS ,BY JUST IGNORING HER FANS.

ADELE ON THE DEATH OF BRANGELINA!

GABBY UNION AND "NAT TURNER" REFLECT ON VIOLENT,RACIST COPS.

THE AVENGERS NEED YOU, TO VOTE FOR HILLARY CLINTON. THIS IS WRITTEN AND FILMED BY JOSS WHEDON.

DENZEL WASHINGTON COULDN'T CARE LESS, ABOUT BRANGELINA OR TERRORISTS.

COOKIE LYON WISHES GOOD TIDINGS, FOR BRAD & ANGELINA.

CELEBRITY TRANSCENDANT ADULTERY TO TOTAL LOVE, IS OVER.BRANGELINA FINISHED!

TYGA ON KYLIE'S FAMILY-"STAY THE FUCK OUT" OF OUR ROOM.

EMMY WINNER RACHEL BLOOM AND CHRIS HARDWICK, FIGHT FOR THE RETURN OF TV THEMES SONGS.

WHEN KIM K. FINDS A TRICK, SHE STICKS WITH IT. NUDE AGAIN!

A $29 MILLION LOVE SHACK MANSION FOR RHI-RHI & DRAKE.

KYLIE JENNER GOES GANSTER, TO ANGER REAL HOODRATS.

2016 CREATIVE EMMY WINNERS.

GUSH ON W/ RHI-RHI AND DRAKE!

 annual

STEPHEN COLBERT GIVES BACK THE AMERICAN DREAM,AS ICE CREAM.

My, how time flies. Just a year ago there was much hype and anticipation about the newest late night successor. The focus was that the American public was going to meet someone who they'd seen for a long time, but barely knew. The entertainer who has won the top recognition in his industry (including Emmy, Peabody, Grammy awards and more) brought something to The Late Show that hadn't been seen much on television previously: the real Stephen Colbert.

Throughout the year while the program has featured Hollywood's A list actors and musicians, and its own infectious and insanely talented band in Jon Batiste and Stay Human, it has certainly hit its stride around the hottest topic du jour: politics especially skewering the presidential campaign and all its players. Critically acclaimed, heady, funny, with candid interviews of top politicos like Hilary Clinton, Donald Trump, Tim Kaine and who could forget the riveting exchange with Joe Biden, a spoof of the Hunger Games picking off presidential candidates as they fell one-by-one, and of course holding the top party candidates squarely in the comedy crosshairs on a nightly basis have demonstrated what The Late Show does best. Live shows following the Republican National Convention and Democratic National Convention captured Colbert and his penchant to poke fun at our political process and the leaders clamoring for those positions. 

And what does the man himself think of his first year?  "I scream, you scream, we all scream for the one-year birthday of the Late Show," said Colbert from his office in the Ed Sullivan Theater. "And I'm glad we get to celebrate this momentous occasion with Ben and/or Jerry." 

Celebrating the September 8 anniversary, Ben & Jerry's unveils a brand new look for Colbert's Americone Dream ice cream flavor. The fan favorite flavor introduced in 2007 continues to gain ground ranked among the best-selling flavors. Both the entertainer and his sugary charlatan have staying power. With its new look inspired by artwork from The Late Show artist Tim Luecke, featuring a friendlier Colbert, a marquee, and the New York city skyline – the new look gets up to date and personal acknowledging Colbert's ascension. As one of the best selling flavors in New York City, Americone Dream will be featured on billboards from Brooklyn to the Bronxshowing off the new look. On the September 8 anniversary, Ben & Jerry's is taking pints of Americone Dream to The Late Show fans on the streets of New York City to with the @ColbertLateShow team. 

Watch CBS's The Late Show at 11:35 pm. Check your local listing.

About Ben & Jerry'sAs an aspiring social justice company, Ben & Jerry's believes in a greater calling than simply making a profit for selling its goods. The company produces a wide variety of super-premium ice cream, yogurt and sorbet using high-quality ingredients. Ben & Jerry's incorporates its vision of Linked Prosperity into its business practices in a number of ways including a focus on values-led sourcing. In 2015 the company completed its transition to using entirely non-GMO (genetically modified organisms) ingredients by source as well as to fully source Fairtrade-certified ingredients wherever possible, which benefits farmers in developing countries. Ben and Jerry's products are distributed in 35 countries in supermarkets, grocery stores, convenience stores, franchise Ben & Jerry's Scoop Shops, restaurants and other venues. Ben & Jerry's, a Vermont corporation and wholly-owned subsidiary of Unilever, operates its business on a three-part Mission Statement emphasizing product quality, economic reward and a commitment to the community. Ben & Jerry's became a certified B Corp (Benefit Corporation) in 2012. The Ben & Jerry's Foundation's employee-led grant programs totaled $2.5MM in 2015 to support economic and social justice, environmental restoration, and peace through understanding. For the inside scoop on Ben & Jerry's visit www.benjerry.com.

USHER EARNS A GOLD STAR.

A UK/USA EUPHEMISM EXPLAINS SOFIA RICHIE'S SEX LIFE WITH JUSTIN BIEBER.

BEYONCE HAS BIRTHDAY PARTY, AT PILOT FOR A NEW VERSION OF SOUL TRAIN.

CHRIS BROWN- ON HIS LAPD FACE-OFF- WITH OBSCURE BEAUTY QUEEN.

RHI-RHI TO DRAKE: " I LOVE YOU."

DEMI LOVATO THINKS SELENA GOMEZ SINGS LIKE, MARY J. BLIGE?

THE "LONGEVITY" OF TOM HANKS.

DRAKE & RHI-RH: THE KISS OFF.

THE FOURTH YEAR OF NASHVILLE, STARTS IN OCTOBER.

 AXS TV is going country, premiering the fourth season of the popular music drama NASHVILLE on Saturday, October 1, at 9pE/6pP. The network will air back-to-back episodes every Saturday night at 9pE and 10pE, with encores following immediately after. AXS TV is the exclusive broadcast home to the first four seasons of this Emmy®-nominated production.

Kicking off the festivities on October 1 is a NASHVILLE Marathon, starting at 3:30pE with a special NASHVILLEencore edition of THE BIG INTERVIEW, following host Dan Rather as he tours some of the series' most iconic sets, and speaks with stars Connie Britton and Charles Esten about their careers, personal lives, and their roles on the show. Then, stay tuned to watch the last five episodes of NASHVILLE's season three at 4pE, leading up to the first two episodes of season four at 9pE and 10pE. The first two episodes of the fourth season will immediately encore after their premieres. 

"AXS TV is proud to be the broadcast home of season four of NASHVILLE," said Michele M. Dix, AXS TV's senior vice president, programming and development. "Packed with unprecedented guest appearances, standout musical numbers, and captivating drama, it's easy to see why this series has resonated so much with its viewers. This is a perfect chance for fans both old and new to relive all the intensity of NASHVILLE's climactic fourth season."

Produced by Lionsgate, ABC Studios, and Opry Entertainment, NASHVILLE is set against the backdrop of the city's music scene and follows Rayna Jaymes and Juliette Barnes. Both women face personal and professional challenges as they navigate their paths as artists and individuals. Surrounding them and often complicating their lives are their family, friends and, in some cases, lovers, as well as the up-and-coming performers and songwriters trying to get ahead in the business. Music City can mean so many things to different people. In NASHVILLE, musicians and songwriters are at the heart of the storm driven by their own ambitions. Some are fueled by their creativity and passion for fame. Others struggle to cope with the pressures of success and are doing everything in their power to stay on top.

NASHVILLE stars Connie Britton as Rayna Jaymes, Hayden Panettiere as Juliette Barnes, Clare Bowen as Scarlett O'Connor, Chris Carmack as Will Lexington, Will Chase as Luke Wheeler, Charles Esten as Deacon Claybourne, Jonathan Jackson as Avery Barkley, Sam Palladio as Gunnar Scott, Maisy Stella as Daphne Conrad, Lennon Stella as Maddie Conrad and Aubrey Peeples as Layla Grant.

In addition to its dramatic plots and unforgettable performances, NASHVILLE has featured a number of impressive guest appearances from some of the biggest names in entertainment, including Florida Georgia Line, Carrie Underwood, Kelly Clarkson, Brad Paisley, Luke Bryan, Katie Couric, and Conan O'Brien, just to name a few.

JESSICA ALBA BACK INTO THE RING, WITH THE MECHANIC 2.

SNOOP DOGG HAULED INTO COURT, OVER LOOSE RAILINGS.

BIEBER-GOMEZ INFINITY?

ARE THE KARDIES, TOO REPUBLICAN?

A CANDID JUSTIN BIEBER,LADIES.

CELEBRITY Q AND A: FORMER TALK SHOW HOST/AUTHOR ROLANDA WATTS.

EXT. BALDWIN HILLS BOOK FESTIVAL-DAY. 

Data Hard: Wow, the talk show host WROTE a book!

Rolanda Watts: Yeah, That's me. I wrote Destiny Lingers...

Watts attempt to hard sell me the book, by price & was willing to give me a discount, due to being handicapped.

Data Hard: How come you didn't get another talk show?

Watts: What!?

Watts found her big break, in 1994. Her syndicated,late night talk show- Rolanda replaced another talk show. That was- The Les Brown Show, by the famed, positive, motivational speaker. Watts also appeared as Vivica Shaw on Sister-Sister,a narrator for the entire 16+ year run on the Judge Joe Brown show & is Professor Wiseman on Curious George on PBS.

Data Hard: (repeats question) I liked it. It was a good show.

Watts (thinking & grinning): I wanted to do other things. I've done both acting & writing...There's more to life, than talk shows. 

Data Hard: ...Continued Success.

Watts (angry smirk): OK, thank you.

Factoids: IMDB

SUICIDE SQUAD'S KATANA ,FINALLY SPEAKS.

A SHOP "AKA PABLO."

A OLYMPIAN IN LOVE.

WAS K. PATZ A PUBLICITY STUNT, FOR A LESBIAN ACTRESS?

ICE ICE SISTO!

- AT&T* AUDIENCE Network today announced the cast for its new original series, "ICE" from global independent studio Entertainment One (eOne) and Antoine Fuqua'sFuqua Films.

Ten hour-long episodes are currently in production in Vancouver. They will air in 2016 exclusively on bothDIRECTV and AT&T U-verse.  

Joining the "ICE" cast are Cam Gigandet ("The Magnificent Seven," "The Twilight Saga" franchise), Jeremy Sisto ("Law and Order," "Suburgatory"), Ray Winstone ("The Departed"), Judith Shekoni ("Heroes Reborn," "The Twilight Saga" franchise) Raymond Barry ("Training Day"), and Donald Sutherland ("The Hunger Games" franchise).

"ICE" is a high-impact, serialized crime drama that follows the Green Family, as they plunge into the underbelly of the Los Angeles diamond trade. Jake (Gigandet) and Freddy (Sisto) are half-brothers brought together by their father Isaac (Barry), the patriarch behind G&G Diamonds and their uncle Cam (Winstone). After wildcard Freddy kills a prominent diamond dealer, his brother Jake must bail him out and save the family business from a crime lord of the Los Angeles diamond trade (Shekoni). Jake must endure all of this while maneuvering amongst jewelry thugs, blood diamond deals, false certificates, the Feds, and Pieter Van De Bruin (Sutherland), a ruthless Afrikaanz diamond merchant who now heads up an Antwerp-based diamond cartel with the same cutthroat skills he applied as a surgeon in the South African armed forces.

Antoine Fuqua ("The Magnificent Seven," "The Equalizer," "Training Day") is directing the first episode and serves as executive producer. The original series is written and executive produced by Robert Munic("Fighting," "The Cleaner"). eOne produces the show in association with AT&T and also controls international rights to the series.

"ICE" builds on AT&T's relationship with eOne, which serves as the studio on AUDIENCE Network's dynamic series "YOU ME HER" and "ROGUE".

AUDIENCE Network offers a compelling lineup of original, provocative content. Its growing slate of critically acclaimed original series includes:

• MMA drama "KINGDOM," starring Frank Grillo and Nick Jonas
• "Poly-romantic" comedy "YOU ME HER" starring Greg Poehler, Rachel Blanchard and Priscilla Faia
• Suspense-drama "ROGUE," starring Cole Hauser, Meaghan Rath and Ashley Greene

DIRECTV and U-verse customers can find the AUDIENCE Network on U-verse Channel 1114 and DIRECTV Channel 239. They can also live stream it on the DIRECTV App and U-verse App for smartphones and tablets, directv.com and uverse.com.

*AT&T products and services are provided or offered by subsidiaries and affiliates of AT&T Inc. under the AT&T brand name and not by AT&T Inc.

SEMI-DUMB COOKIE LYON FOUND, THE HIDDEN FIGURES OF NASA, AND ATTACKS MEN WITHOUT EVIDENCE AND KNOWING THEM.

MATT DAMON ON GUNS.

PROFESSIONAL ASS SETH ROGEN, CALLS HOLLYWOOD A BUNCH OF PUSSIES.

FEAR THE SUICIDE SQUAD.

DRAKE LOVES RHI-RHI!