Thursday, April 26, 2018
Wednesday, April 25, 2018
Monday, April 23, 2018
CELEBRITY Q AND A: RECENTLY ARRESTED SMALLVILLE STAR, ALISON MACK.
EXT.
PARKING GARAGE-UNIVERSAL STUDIOS HOLLYWOOD.
SUMMER 2004.
Data Hard: You look familiar.
PARKING GARAGE-UNIVERSAL STUDIOS HOLLYWOOD.
SUMMER 2004.
Data Hard: You look familiar.
Allison Mack: (embarrassed) Yeah, I'm an actress.
Hard: Which show?
Mack: Smallville.
Hard: That's a great show. What did you think of the one, where Pete Ross got Clark on the red Krypton rocks & used his X rays sight to ogle you in school?
Mack: (At first ,shock at the intricacy of the query.Then, smiles in pleased fashion).....You mean you ACTUALLY watch that show?!
Saturday, April 21, 2018
Friday, April 20, 2018
Monday, April 16, 2018
Wednesday, April 11, 2018
Tuesday, April 03, 2018
Wednesday, March 28, 2018
Wednesday, March 21, 2018
Tuesday, March 20, 2018
REAL NEWS: AMI QUIETLY THREATENS WOMAN FOR PRES. TRUMP.
Karen McDougal has been free to respond to press inquiries about her relationship with President Trump since 2016. Thus, the suggestion that AMI "silenced" her is completely without merit. Rather, Karen signed a contract that gave AMI the editorial discretion to publish her life story, and she promised to write health and fitness columns and appear on the cover of two magazines. To date, AMI has published 20 of Karen's columns in print, all of which were syndicated on other entertainment properties, four stories on www.muscleandfitness.com, in addition to a behind-the-scenes video shoot, and a story on www.mensfitness.com which we are very proud of. In addition, Karen has appeared on the cover of Muscle & Fitness Hers, which was the highest selling issue for 2017. She was also slotted to appear on the cover of Men's Journal, a magazine with a circulation of 1,250,000, but she has not responded to repeated requests to schedule that photo shoot and through her attorney she indicated she believed she was not being paid enough to do all the work she had been asked to do.
We have been very proud of Karen McDougal and our work with her. The relationship has produced good journalism and content for our publications. And until very recently, it was our understanding that Karen was satisfied with our editorial approach to her work with AMI's publications. Her lawsuit is the first time AMI has learned of her desire to go a different direction. AMI has a valid contract with Ms. McDougal and we look forward to reaching an amicable resolution satisfactory to her and to AMI.
A MUSICAL BAND OF ZOMBIES RULE BILLBOARD'S TOP 20.
In 2008, Hollywood Undead's explosive, platinum selling debut album Swan Songs rose from the streets of Tinseltown, delivering a raw, edgy mix of rock, hip-hop and metalcore. Building an enthusiastic fan base through social media, the band—whose members wore stylized masks on stage—grew to include six members: J-Dog, Tha Producer, Charlie Scene, Johnny 3 Tears, Funny Man and Da Kurlzz.
On May 11, Interscope/UMe celebrates Swan Songs' tenth anniversary with the album's first-ever vinyl release, in a specially packaged, two-LP edition, as well as a limited edition, two-LP set on 140-gram blue-vinyl. Only 500 copies of the blue-vinyl version will be pressed and available exclusively from the online retailer uDiscover.
The 14-song album encapsulates the brash, rebellious attitude that's kept Hollywood Undead going ever since. Throughout Swan Songs, Hollywood Undead deliver sharply humorous raps that slash at the jugular of mainstream pop culture, with tracks like "No. 5," "Undead," "Sell Your Soul" and "California" reflecting a dark, transgressive aesthetic that comments on their hometown's depravity.
Despite the controversy and threats of censorship that accompanied Swan Songs' release, the album reached No. 22 on the Billboard Top 200 and spent more than a year and a half on the album chart. It also proved to be the kickoff for a long and productive career that's established Hollywood Undead as a reliably popular act, spawning the successful subsequent albums American Tragedy, Notes from the Underground, Day of the Dead and Five.
Now, with this anniversary release of the album that started it all, the Hollywood Undead experience is more compelling than ever on heavy-duty vinyl!
Track Listing:
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Side A
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Side C
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1. Undead
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1. This Love, This Hate
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2. Sell Your Soul
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2. Bottle And A Gun
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3. Everywhere I Go
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3. California
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4. City
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Side B
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Side D
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4. No Other Place
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5. The Diary
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5. No. 5
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6. Pimpin'
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6. Young
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7. Paradise Lost
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7. Black Dahlia
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Monday, March 19, 2018
Friday, March 16, 2018
Tuesday, March 13, 2018
Monday, March 12, 2018
Wednesday, March 07, 2018
Tuesday, March 06, 2018
Friday, February 23, 2018
Thursday, February 22, 2018
Tuesday, February 13, 2018
Monday, February 12, 2018
Friday, February 09, 2018
Thursday, February 08, 2018
Tuesday, February 06, 2018
Thursday, February 01, 2018
Monday, January 29, 2018
Friday, January 26, 2018
Thursday, January 25, 2018
MAJOR AND CABLE NETWORKS- NEED TO READ THIS GEORGETOWN STUDY!
Georgetown University's McDonough School of Business and emotion measurement leader Canvs today announced a joint study on how television show audience Emotional Reactions (ERs) impact the following week's live airing viewership. The study -- Reacting to Actors, Characters, and Programs: Social TV Content and Television Viewing Behavior -- found that certain viewer ERs in response to talent can predict an increase in live tune-in the following episode.
The study was led by David Schweidel, professor of marketing, Georgetown McDonough, who will be incorporating the Canvs emotion measurement dashboard into his course, "Leveraging Social Media." Georgetown McDonough is the first partner in Canvs' new Academic Partnership Program, which launched in fall 2017, and focuses on building strategic partnerships between the emotion measurement experts at Canvs and key marketing research and psychology professors at key top-tier universities. For more information or to be considered for the program, please contact marketing@canvs.tv.
"Talent not only drives emotions, but also live viewer tune-in week over week," said Schweidel. "Further, there is a sustained effect of talent-driven ERs increasing live and time-shifted viewership over multiple weeks."
With appointment viewing on the decline, it's more important than ever for networks to understand what is driving live viewing. The study looked at 621 episodes across 55 primetime scripted programs across broadcast networks (ABC, FOX, NBC, CBS, The CW) and spanning genres (Action/Adventure, Comedy, Drama, Sci-Fi/Fantasy). All programs aired Q1 2017 (January - March).
Key Findings
- Show-specific ERs have a positive impact on live viewing.
- Talent-related ERs had twice the impact as general emotional reactions, but much less common.
- In one example, NBC's This Is Us enjoyed more than a 10 percent increase in live viewers from episode 17 to 18 thanks to a spike in total ERs driven by talent.
- Furthermore, there is a sustained effect over multiple weeks, with talent-driven ERs increasing live and time-shifted viewership over the following three to four weeks.
Download the study here: Emotional Reactions & Live Viewership.
"This study proves emotions not only drive increased live viewership week over week, but also improve the number of time-shifted viewers in the first three days after a show airing," said Jared Feldman, CEO at Canvs. "With OTT and subscription services on the rise, there's a strong indication audience's Emotional Reactions will align with subscription retention as well."
Canvs was founded in 2014 to help media companies inform their TV programming results from reactions on Twitter. Today, with API access to YouTube, Instagram, Facebook and with their own API, Canvs is empowers media companies, technology platforms, brands and agencies to decode the troves of social banter across platforms. Companies that trust Canvs for emotion analytics include: Netflix, FOX, NBC, Viacom, Warner Brothers, Sony Entertainment, Initiative, Lionsgate, Pilgrim Studios, PopSugar, StyleHaul, Creative Artist Agency, Assembly, and 360i, among countless more.
DADDY'S HOME 2 TO REDBOX.
Redbox, America's authority on new-release home entertainment, today announced the latest distribution agreement with Paramount Home Media Distribution. The agreement delivers Paramount titles to Redbox® kiosks on the same day as retail sell through dates, as well as digital distribution through Redbox's new streaming service, Redbox On Demand.
"We're proud to announce our latest agreement with Paramount as it continues same-day access to their titles, at the great value our customers expect from Redbox," said Galen Smith, CEO of Redbox.
"We're happy to continue our deal with Redbox that ensures our titles are accessible to consumers nationwide at their kiosks and through their new digital service," said Bob Buchi, President, Worldwide Home Media Distribution, Paramount Pictures.
Upcoming new-releases from Paramount include Suburbicon (Feb. 6), Daddy's Home 2 (Feb. 20) and Same Kind of Different as Me (Feb. 20).
Redbox recently announced a new On Demand service, offering many of the same new-release movies available at the Box, and an expanded library of a growing collection of hit movies and TV shows for rental or purchase On Demand.
Tuesday, January 23, 2018
Wednesday, January 17, 2018
Tuesday, January 16, 2018
Tuesday, January 09, 2018
Thursday, January 04, 2018
Thursday, December 28, 2017
Wednesday, December 27, 2017
Tuesday, December 26, 2017
Thursday, December 21, 2017
Tuesday, December 19, 2017
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